When I began this series, I had a hard time trusting what to paint. What seemed most familiar to me felt strange, too simple, not of this medium. As if it belonged to the world of ceramics, sculpture, or drawing. But I wanted to paint, so I continued.
Now that I’ve made over 100 paintings, I realize that the most important part of creating a body of work is to trust that what I want to explore is worth doing so. No one else can show me the way, there are no rules or guidelines to follow. Only curiosity and inner hunches that say: paint that orange, bring the line closer to the edge, make it thick. That is all I had to follow, and now that the paintings have come to life, they exist in a world with its own set of rules.